Issue 3 was issued in late
72 after a hitch hiking trip through Europe. Much of that
time was taken up travelling around England, browsing record shops
and attending concerts. I followed a Kinks tour beginning in London,
where an old street guy covered in newspapers sitting in front of
Victoria station, yelled out a me as I headed to Manchester for
the second show, "There's a young lad going to Manchester to see the
Kinks!" Needless to say, I was blown away and still wonder about it
today. (BTW, I made a stellar recording of the show on a tape recorder
in my lap, which unfortunately my pal Mark "lent" to a friend of his in
Arnprior and I haven't seen it since). The Kinks shows were great and
lively and I was on Cloud 9.
Another concert of note was
the Mott the Hoople Hammersmith Odeon performances, which later made it
to vinyl and now CD, as Mott Live. It was a great show with a climatic
ending, as described in the review below. Queen opened mightily, as they
were still a force touring their first album.
The Rocky Horror Show was
still in its first week, had not-so-great reviews, so I got a great
centre aisle seat where Frankenfurter proceeded to sit in my lap
half-way
through the show. It was a good show, but little could I know how
it would all turn out!
A caveat. And, a big one. I
had no money on my return to
Ottawa so I had to mimeo the issue at the downtown free
university. Not knowing what I was doing, the pages printed well for
only a few hundred copies. All this is left of those initial copies, are
a couple of incomplete issues with bad inking, some barely legible from
the end of the run.
A note on the cover -
starting with this issue, I wanted to
peronalize the covers, so I stapled a clear plastic cover and painted
the make up on the Dolls. The actual cover had no paint. When I
completed my supply of plastic covers, I painted the makeup on each
remaining paper cover.
Anyway, some legible pages
have been reproduced here
and others re-typed. Doesn't matter anyway, does it? As Evan Dentley
incredulously exclaimed at the review of The Haunted's masterful first
version of 1-2-5, "A whole page for one song?"
A side note - the back
cover's inscription, "What kind of a
man reads Denim Delinquent?" was etched into the
run-out groove of
Morrissey's "Interesting Drug" EP. A perfect match! |